Tarot de St. Croix (Borderless Edition)

I reviewed Tarot de St. Croix by Lisa de St. Croix before here. This is a showcase of the latest borderless edition, which is absolutely a stunner. The Tarot de St. Croix is what I’d call an evergreen deck– it never goes out of style. These warm, buoyant oil paintings vitalize the intuition.

Above to the left is the First Edition “orange box” version. A lot of friends in the tarot community affectionately call Lisa’s deck “the orange deck.” Its…well… orange-ness… was something you either loved about it or it didn’t appeal to you. If it was too orange for you, well you’re in luck with this new borderless edition.

I also appreciate the packaging redesign. The old edition was a two-piece top and bottom lid box that was really glossy. In the summers, that plasticky coating would stick to itself. The new edition is matte and has a magnetic flip top.

The captions are now in an understated bar at the bottom of the cards. The orange borders around the card backs are gone, and the illustration work has been slightly enlarged, so you can fully appreciate the artist’s detailed work. I also much prefer the matte feel of this updated edition.

The redesigned borderless edition lets the artwork pop so, so much more! While I didn’t mind the orange borders framing the previous edition, now that I see it side by side with the new edition, those borders definitely boxed in and confined the art. Now, without borders, the artwork feels so expansive.

The Fool card in this deck is inspired by the Pueblo Indian sacred clown Koshare wearing the mask of Coyote, the trickster. The Magician is the Sufi mystic Rumi; The High Priestess is Isis; you’ll also find contemporaries, such as the Dalai Lama on The Hierophant card. A curandera is pictured on The Hermit card, and Themis is Justice.

The deck comes with a full-color guidebook inside the box, and it’s packed. It’s written in first person, beginning with stories about the artist’s childhood in Johannesburg before going to art school in New York, then settling in Santa Fe. I followed some of the card spread instructions in the guidebook, then looked up each card meaning one by one in that guidebook– it works. Really well! So the deck is totally operable for a tarot beginner.

There are these pithy divinatory aphorisms in the guidebook. For The Hanged Man: Gain a new perspective. The Death card: From death something new begins. Temperance: Creation through union. The Devil: Face the shadow, free the soul.

Shiva, god of destruction, sits in the Tower illuminated by a flash of lightning. The Star card features Nut, the Egyptian sky goddess. I love the iconic reference back to the High Priestess card in The Moon while The Sun card hearkens back to Isis. The World card in this deck was inspired by a 14th century engraving of Anima Mundi.

There’s an incidental narrative told through this deck, an autobiography. Likenesses of the artist appear as a recurring theme throughout the cards. Here in The Tower, she is being swept away by a raven. She appeared as the alchemist pouring water and wine onto hot coals in the Temperance card, with her son as the angelic figure behind her, you saw an aspect of her in Strength, in the Nine of Pentacles, and so on.

While the guidebook gives a two-page spread for each Major, each set of four numbered cards in the Minors is summarized in a single two-page spread. If you’re a beginner, the top of each page spread offers some insights into themes raised by that numbered pip card. Think on the relevance of that first. Then proceed to the card meaning. The Three of Cups shows friends gathering to play a tarot game: cherish your relationships, for they will provide you with the support you need. The Three of Pentacles is the triumvirate of successful undertakings: the full moon symbolizes intuition-guided inspiration; the artist painting is skill; the icon of Isis is divine guidance.

There’s so much personal memoir in these cards. The man pictured in the Four of Cups is the artist’s late brother. What I also love about the artwork in this deck is how active it is. There’s a lot of action. People aren’t just standing around like stiff portrait. The interpretations for some of the tarot keys are delightful, like that Six of Cups and Seven of Cups.

The seamless blending of depicting mundane human circumstances with mythologies and gods is why Tarot de St. Croix is such a standout deck. I love that the Four of Wands features Epona, the Celtic horse goddess. The Six of Wands features Brigid.

This is one of my favorite Five of Pentacles cards. Pictured here is the Great Mother Guadalupe. The message: balance your struggles with hope. You see a line of hopeful, braving the freezing cold weather just for an opportunity to work, seeking employment.

There are also depictions of actual landmarks, like the Havasupai waterfalls in the Grand Canyon on the Eight of Cups. The way wish fulfillment is illustrated in the Nine of Cups is kind of ingenious– angels taking turns filling the woman’s cup. By the way I love that Ten of Wands, which was inspired by the Flammarion Engraving in Camille Flammarion’s L’atmosphère météorologie populaire (1888).

This deck came to Lisa de St. Croix during a shamanic journey where she traversed into a temple in the Upper World and met the High Priestess that you see in Key 2 of this deck– the goddess Isis. Hence you’ll see repeating but different emanations of Isis alongside the artist herself throughout the cards.

The Page of Swords features the artist’s son as a college student while the Knight of Swords features the father of her sons. These deeply personal representations of the tarot courts are integrated with more archetypal figures, like the sadhu or holy man embodying the powers of Shiva in the Knight of Wands or the Green Man in the Knight of Pentacles.

One of the artist’s close friends is the Queen of Cups, which is juxtaposed with the Queen of Sheba in the Queen of Pentacles. Athena as the Queen of Swords just resonates with me. The artist’s father is the King of Cups while King Solomon is the King of Pentacles, paired with the Queen of Pentacles. In the King of Swords, we see Arthur and the Lady of the Lake presenting him with Excalibur. And the King of Wands is Hermes Trismegistus.

Lisa de St. Croix is also the creator of the Invoking the Goddess Oracle and Action cards, which I’ve reviewed before here. I love that the deck art for Tarot de St. Croix was hand-painted in oils, which has become a rarity these days as we’ve entered the digital age.

The Tarot de. St. Croix is one of those rich, beautiful decks worth acquiring for your collection. The emotions that each work of art portrays, the layers of tarot symbolism, both the resonant connection to the divine and the connection to the mundane that merge seamlessly throughout the deck art narrative are just a few of the reasons the Tarot de St. Croix has remained so sought after and beloved over the last decade plus.

Invoking the Goddess: Oracle and Action by Lisa de St. Croix

Goddess oracle decks have been enjoying a resurgence in popularity as of late, coinciding with what feels like a global, collective acknowledgement of the divine feminine. Some of them have missed the mark, with cries from the community about cultural appropriation [also watch here and another here] but Invoking the Goddess is one done right, and as powerful as it is beautiful, a model to be followed.
Lisa de St. Croix, metaphysical artist and creator of the Tarot de St. Croix, which I’ve reviewed before here, has given us the Invoking the Goddess: Oracle and Action, which she self-published this year and are now available for purchase here on the shop page of her website. 
Invoking the Goddess is a circle oracle deck consisting of 33 cards. The watercolor paintings were done by Lisa through a special layered wash technique, which is what gives these works of art their vibrancy. You can check out the original 8″ x 8″ watercolor paintings here on her website. 
The oracle cards are double-sided, so the way I work with them is by closing my eyes while I shuffle, and pulling a card without looking.
This isn’t one of those decks where you set a spread of 20 cards or sling it out into a Celtic Cross, no. The energy of the deck is palpable, and all you need is to draw one.
Hold the deck in both palms, close your eyes, shuffle, and as you shuffle, visualize your question converting to energy and push that energy out your hands and into the cards.
When you feel ready, pull a card, open your eyes, and connect to the imagery of the goddess.
The diverse representation of multiple pantheons and traditions is beautifully and reverently done. On the text side of each card, one key symbol associated with the goddess is pictured, along with a call to action, addressed to you, straight from that goddess.
There’s a raw spirit to the art on this deck, and I love how natural it feels. A lot of the goddess oracle decks on the market right now rely heavily on digital photo editing, high production, and digital manipulation. So I’m deeply appreciative of the natural beauty here.
Although the deck does not come with a guidebook, you don’t need one. Everything you need is printed right there on the text side of the cards.
The bold coloring and the circular card shape that reminds me of chakra wheels does something to my consciousness when I work with this deck.
Combining artistry and metaphysical knowledge, Lisa de St. Croix has really calibrated this deck for goddess invocation. It’s quite impressive.
Among cartomancers, circle decks can be contentious. Some love them and others turn their noses up at the thought of them. For me, it depends. They can feel more novelty than practical if it’s a tarot deck, but here for the Invoking the Goddess, once I’ve seen it as a circle deck, I can’t imagine it any other way. This deck had to be made this way. It’s perfect for the concept.
The circle cards come to life in your hand. It’s got its own unique energetic imprint, and you almost can’t deny that it’s there. Whereas some of the more commercialized and high-production-value goddess oracle decks that I’ve handled don’t come to life in your hands with that kind of energy.
If you’ve been wondering how you can integrate your spirituality into your everyday life, get Invoking the Goddess Oracle and Action.
The divine call to action on each card gives you a starting point that guides your state of mind and spiritual practice.
You can hear the voice of Spirit through the poetic verses on the cards, which also help to introduce you to the energies and powers associated with that particular goddess.
For professional tarot readers, pulling a single card from Invoking the Goddess to round out a reading session gives your client a sense of divine protection, and also a direction of spiritual practice to go in.
So much guidance is offered in these cards. They add that deepened layer of meaning and divine connection to a divinatory reading.
The cardstock is around 300 to 330 gsm. I would have preferred a much heavier cardstock for a goddess oracle guidance deck, even going up to 400 gsm, but that’s a personal preference. Some may prefer the thinner cardstock for easier shuffling.
Oh, and the cards come in a circle-shaped box! That’s so cool! They’re just the most beautiful deck of cards to keep out on a coffee table or to the side of your work space.
I’ve been pulling cards for friends and family from the Invoking the Goddess Oracle and Action by Lisa de St. Croix and everyone has remarked about how resonant readings with the deck is. There’s a nurturing energy to Invoking the Goddess, a soft yet powerful presence, and it feels maternal. Absolutely beautiful. Highly recommend that you take a closer look at this deck and consider it for your collection.

Buy Invoking the Goddess Oracle and Action.

The Tarot de St. Croix

Reviewed by Benebell Wen

The Tarot de St. Croix was first published in 2014, distributed by Devera Publishing, and a second edition has just come out this year. It comes in a beautiful full-lid lift top glossy box of high quality and the cardstock quality is great. Love that the accompanying guidebook fits inside the box and contains a wealth of tarot card meaning insights, many that would add to your compendium of tarot knowledge. The guidebook here is not just a rehash of the same old card meanings. There is a lot here specific to the symbolism on the deck and how that symbolism and manifestation exemplifies the traditional card meaning.

When left to my own devices, I’m not a very colorful person. Orange is usually too bright for me. However, the color orange stimulates the sacral chakra, the source of your personal vitality. A strong sacral chakra means strong personal vitality, which can be used to heal yourself and to heal others. I also tend to associate the sacral chakra with shamanic journeying. These themes come together harmoniously in the Tarot de St. Croix, and enables the deck for powerful healing work. When using tarot for healing, both emotional and psychic healing, reach for the Tarot de St. Croix.
The Hermit with its Virgo correspondence has always had a soft, feminine, wise-woman vibe to me, and I love that the imagery for Key IX in this deck captures that imagining perfectly. I love the mermaid and angel coming together in the Wheel of Fortune, or how the Death card is a skeleton floating toward the Light, through the spiritual tunnel.
Earlier I remarked how the companion guidebook for this deck isn’t just a rehash of trite tarot card meanings. Here I’ll give you an example. The Sun card in the deck is dominant with sunflower symbolism. Per the companion guidebook, sunflower symbolism is about receiving light, growing, and then manifesting fruition, to in turn give life back and nourish future life. You take from the light to nourish yourself so that you can grow and later return the favor and nourish others, to continue that cycle of life. Thus, The Sun card is about radiating our self-confidence and talents out into the world at large. I love that meaning for The Sun.
The card imagery feels like channeled visions. You get the sense that while the work is that of the artist, the idea was implanted into her from the great beyond. You feel as if you are catching glimpses into other worlds and multiverses, and given universal depictions for each of the 78 ideas revealed by the tarot.
I love the inclusion of all cultures, the mysticism from many heritages, and how easily and effortlessly you can tell stories as divination to a seeker when using the Tarot de St. Croix. If you are visual-oriented or right-brained, creative or artsy, you are going to love reading with this deck.
It also feels like an incredible deck for pathworking. You get the sense of astral travel here, where the deck creator has gone beyond, observed what is reality but not reality, and has come back to reveal to us those observations, through her incredible art.
By the way, I love the tea leaf reading metaphor for the Seven of Cups. Or the mime juggling the swords under a waning crescent moon for the Seven of Swords. For those familiar with the 78 card meanings in the Rider-Waite-Smith system, take your time to go through each card imagery and study this artist’s interpretation of that card. It’s just incredible. Card after card, you accumulate this realization that you’re looking at brilliance. There is a deeply spiritual and mystical dimension to the Tarot de St. Croix that I, sadly, find lacking in so many contemporary decks.
The card backs are reversible, again with the orange border, and here we see just this incredible glimpse into a different dimension or galaxy, slightly reminiscent of the dark and light pillars you find in the classic High Priestess card.
The Tarot de St. Croix is a brilliant blend of old world and modern mythology, seamlessly weaving together the many cultures and heritages of our world, to present a united mosaic of spirituality that transcends both time and space. It’s an ideal deck for personal healing and for readers to use in psychic healing or energy clearings for their clients. If you’re working through shamanic journeying practices with the tarot from my Tarot as a Tool for Craft online course, I’d say the Tarot de St. Croix is one of those perfect decks to use for that particular practice.

“Tarot de St. Croix” is a 78 card deck that comes with an accompanying 96 page booklet, both enclosed in a sturdy box with a lift-off top. The box is in the same lovely orange that dominates the deck, with a scan of the Sun on the cover, and smaller card images running along three sides.  It is structured along traditional lines, using traditional titles for the Major Arcana, with Strength as VIII and Justice as XI. The suits are Wands, Cups, Swords, and Pentacles, with the Court Cards as Page, Knight, Queen and King.
Note: I am proud to say that this deck was published through Devera Publishing, an independent publishing house in Portland, Oregon.
In her introduction, Lisa talks about this deck as being both contemporary and multi-cultural. Inspiration came from current events, personal experiences, mythology, and synchronicity. Lisa describes the Tarot as a visual encyclopedia to the soul.
Lisa’s introduction to the Tarot came from accompanying her mother to a Tarot reading in Johannesburg, South Africa. Some time after her mother’s death the Marseille deck that her mother had purchased at that reading came into her hands, and she began her study of the Tarot. At this time, Lisa was living near a Zuni Indian reservation. At the winter solstice Lisa took a shamanic journey, where Isis instructed her to paint a Tarot deck. She painted this deck as if it were a Tarot reading, and she were receiving wisdom. The introduction also includes thoughts on reading the cards, drawing a daily card, Tarot journaling, a three card spread, a five card spread, and a nine card spread.
While the commentary in the booklet is minimal, Lisa does have a blog where she expands on the card meanings, sharing what they are to her, and her experiences as she was painting each card. It is well worth checking out her blog. The companion booklet shares Lisa’s life experiences, and her philosophy.
The Major Arcana are presented as a two page spread, with commentary on the left hand page, and the card meaning, along with a ¾ page color image on the right hand page. In the commentary Lisa talks about what inspired her for the card, and bits of her own life experience.
The Fool
The Fool is both the beginning and the end of the Major Arcana in the archetypal journey of the soul.
The Fool is inspired by the Pueblo Indian sacred clown Koshare. He wears the mask of Coyote, the trickster. He represents a playful way to look at a situation. The Fool makes a shadow puppet scene of danger. The message is to look beyond our fears to see what really lies behind it. The path leads towards the full moon which symbolizes the cyclical nature of life. The boat represents a journey into the mystery. The Fool’s knapsack lays open in front of him, what will he take with him? The aspen stick with eyes symbolizes the witness and the wisdom gained on his journey.
I lived for a number of years on the Zuni Indian Reservation, where I was fortunate to see their ceremonial dances. One evening as I stood on the rooftop watching the dances below, a Koshare, the sacred clown climbed up the ladder and tricked me into buying a plastic turquoise necklace for twenty dollars, the crowd roared with laughter. I felt embarrassed but also delighted to play the fool n their ceremony. I treasure that necklace, it reminds me to laugh at myself.
The Minor Arcana pips (numbered cards) are presented as groups – i.e. Ace’s together, two’s together et cetera. There is short commentary on what each number means, followed by the number in each suit, a short commentary, and its meaning. Small color scans for each of the four cards appear at the bottom of the page.
Aces offer the potential of something new that will succeed. Aces are linked to the Magician, the great manifester.
Ace of Pentacles
The full blooming sunflower against the brilliant sky is an expression of abundance.
Meaning – Begin a new project with confidence knowing that it will grow to its fullest potential and flourish.
The Court Cards are presented as groups – Pages, Knights, Queens, and Kings. A full page is given to each card, with commentary about the card at the top, a full color scan in the middle, and the meaning at the bottom.
Page of Cups
This young Page dreamily looks at the water cupped in her hands, imagining romance. She is sensitive and vulnerable as she sits on the lotus, nestled between the stamens.
Meaning: In order to blossom in love and relationships it is necessary to expose tenderness and vulnerability.
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The backs show a ¼” orange border, surrounding a mirror image of clouds, the moon, and a figure. The card backs are reversible – and they really draw one in! The cards are 3” by 4.5”, sturdy and semi-gloss. The card faces show a ¼” orange border surrounding a central image. For the Major Arcana, the card number (in Roman numerals) and title run across the bottom of the card. For the Court Cards, the title and suit run across the bottom of the card. For the Minor Arcana Pips (numbered cards), the number and suit, all in text, run across the bottom of the card.
The colors in this deck – predominately orange, yellow, and gold – are intense, vibrant, and absolutely command your attention! This is a very personal deck for Lisa, not only that she was instructed to paint it while on a shamanic journey, but that it reflects her thoughts, her travels, her early years spent in South Africa, and her meditative practices. I purchased this deck while I was at NWTS (Northwest Tarot Symposium). At this time, Lisa was in India meditating and painting … very reflective of the life of this deck.
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Queen of Pentacles: The Queen Sheba is carried on a gold palanquin, surrounded by the riches of the earth (ripe fruit, fragrant flowers, and abundant herbs). She embodies the qualities of abundance, nurturing, and generosity. “Meaning – Enjoy the senses, and share with others.”
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Knight of Cups: This Knight welcomes the flow of feelings. Lisa notes that her son has always followed his heart, and as a result he has been able to make his dreams come true. “Meaning – A person who acts from the heart.”
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The Empress: As the great mother, the Empress nurtures and provides. Her rule is through love. This painting was begun on the spring equinox. As she painted this card, Lisa watched the blossoms on the tree across from her studio open, and the bulbs flower. “Meaning – If we open ourselves to what we need and give and receive love, abundance will flow.”
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Ace of Swords: “The wisp of smoke at the end of the sword suggests that something is smoldering, ready to ignite. The new moon suggests the beginning of a new phase that will develop.” “Meaning – Innovative ideas will expand bringing clarity and wisdom.”
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The World: “The World is the culmination of the Tarot archetypal journey, it speaks of wholeness and numinous revelation.” “Meaning – The World shows you that you are connected to all that is.”
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The Hermit: “The Hermit spends time alone in contemplation. The Hermit is an ally when it comes to dealing with shadow. Look within, and let it be illuminated. Questions will be resolved.” “Meaning – The Hermit invites you to spend time alone to allow your inner wisdom to reveal itself.”
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Three of Wands: “The Mother watches her progeny’s boat come in. Three wands blossom with the promise of success. The figurehead leads the boat towards the spirit world. “Meaning – Visionary leadership will see a project flourish.”
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The Magician: “The Magician uses will, the elements and Spirit to manifest that which is desired.” “Meaning – The message of the Magician is that through focused energy we are able to harness the means to create our destiny.”
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Seven of Pentacles: “The girl in the leopard skin reaches eagerly towards many projects.” “Meaning – Pause and evaluate your goals, before  unleashing energy to achieve them.”
I am impressed with this deck to the point that I am in awe! The vibrant colors draw the reader in and make them feel at home – warm and protected. There is a very sacred feel to these cards, partially because of the archetype that the Tarot is, and partially because Lisa has shared so much of herself and her sacred life journey with the reader. I highly recommend that the reader make best use of Lisa’s blog, where she goes in-depth into what the cards mean to her, and where she was in her journey when she painted them.
Lisa has placed herself in some of the cards along the way, and has included other individuals from her life. Quite an interesting card is the Page of Swords, which integrates her son drawing the golden mean on a blackboard with a sword. A subtle way if showing that the golden mean is at work in this deck. This is a comfortable deck for all levels of Tarot student, and certainly what one could term a “teaching deck”.
© 2015 Bonnie Cehovet

Tarot de St. Croix by Eric Lerner

The Tarot de St. Croix is a handsomely produced deck published through Devera Publishing by artist and tarot reader Lisa St. Croix. It is a full 78 card deck that follows Rider-Waite numeration (Strength is 8, Justice 11.) Its impact is achieved through the artist’s decidedly warm color palette, multi-cultural and personal iconography, visual nods to Rider-Waite and use of sacred geometry. Overall it is well thought out and decidedly reflects St. Croix’s original point of view.

The first thing that jumps out at you is her vibrant use of oranges, golds and yellows in many of her compositions. This serves to invite the viewer into the visual worlds depicted. At times I found that the use of these hues in the border design took focus from the actual images (perhaps a neutral colored border would have helped them pop more.) Overall this color scheme makes the cards inviting.
St. Croix uses that to draw the reader into her personal universe, in no small part shaped by her extensive travels and meditations on diverse cultures. This does not confuse the overall philosophical narrative of her exploration, and it is nicely balanced with frequent nods to her biography and family. She explains her journey in the accompanying booklet. For instance, in the Fool, she incorporates the trickster figure of Koshara. She had spent years living on Zuni reservation where she encountered him in traditional dances. “One evening,” she writes, “ as I stood on the rooftop watching the dances below, a Koshare, the sacred clown, climbed up on the ladder and tricked me into buying a plastic turquoise necklace for twenty dollars, the crowd roared with laughter. I felt embarrassed but also delighted to play the fool in their ceremony. I  treasure that necklace because it reminds me to laugh at myself.” Her personal intimacy with the figures from other cultures here doesn't make their incorporation come across as a gimmick or non-sequitur as they do in some other contemporary tarot.

She balances the global display by including family members and nods to the Rider-Waite Tarot in the tarots. Significantly she uses the later references to clarify her own personal vision rather than simply recast a deck with which most readers are well acquainted. In the Suit of Swords there are many takes suggested by Pamela Colman Smith’s art. Among the more obvious of these are the blindfolded female figure in the Two and the thrice-impaled heart in the Three. Yet she doesn't adhere to Waite’s interpretation of the cards and provides visual clues in the artwork itself. For instance in the Three, she crowns the heart with flames. The fire is not destructive, but warming, and contrasts the raining clouds depicted in the earlier rendition. St. Croix stresses: “The flaming heart represents passion. Three needles pierce the heart but one is mending a broken heart. Meaning: Forgiveness heals betrayal and heartbreak.”  Most decks, including Rider-Waite, offer much more dire interpretations. St. Croix further develops her own take on life through the later numbers in the Suit of Swords that play off and contrast Rider-Waite and move inextricably in an original direction.St. Croix depicts a female figure both face up and down, balanced by the swords like an exquisitely balanced shaman walking uninjured upon nails against a night sky. She writes: “This is the end of  worn out ways of thinking. We can rise above the old, unhealthy victim mentality, supported by the lessons learned.” She works from pre-established iconography and pushes forward from it.

In 10, we are familiar with the image of an impaled figure and the desolation and pain it indicates. Instead, St. Croix does not include reversed definitions like Waite or elemental dignities in her definitions or take on reading. Even when the cards themselves indicate challenges, they also indicate solutions. The innovation here is that typically as readers we look to other cards in a spread to indicate how to resolve “problem” cards. St. Croix indicates solutions in the context of the cards themselves. It makes her deck useful for one-card readings. Also in her nine-card spread, Nine Temples of the Soul, the placement of the elements is predetermined by the spread itself with positions for majors, each suit and court figures. Hence the meanings of the individual cards are not subject to the permutations of their sequence so much as they relate to the specific areas of unique life endeavor.

Another noteworthy feature of the deck is the artistic use of sacred geometry, most significantly St. Croix reliance on Golden Mean ratios in composition. In short, a golden ratio is achieved by two spaces when their ration to one another is the same the larger body is to the sum. It is felt that this type of proportion creates a golden mean of visual harmony. Numerically it is it roughly 1.62, phi. Artists create both pleasing visual compositions and indicate idealized states through its spatial geometry. Since many of us have developed subconscious familiarity with it through frequent exposure, an artist can use it to help a viewer interpret her work. St. Croix makes direct reference to this in the Page her Swords by depicting her son Simon as a blackboard hero rendering a golden mean ratio.

Not only is this an affection nod to both her family and technique, it provides us with a map for how we may wish to examine her imagery. I found her use of golden mean proportion most pleasing when she uses it to create dynamic compositions such as in the family drama of the Five of Swords or exuberant Nine of cups. Our gaze moves through them in a kinetic way making the situations come alive. One of the pratfalls of using sacred geometry consistently in compositions is that they can become too static looking. Very often tarot decks that rely on sacred geometry become a series of strategically placed glyphs that one may need a guide to decipher. St. Croix’s images tend toward emotional immediacy.

Overall, St. Croix has done a fine job of producing a deck that is at the same time personal and integrated with the world as a whole, acknowledging also the artistic and divinatory traditions in which she works. Tarot de St. Croix can also work well as someone’s first reading deck, given its visual clarity and warmth. It succeeds on many levels and offers and optimistic and inspiring philosophy toward life.

Eric Lerner

Review of Tarot de St. Croix by Wray Dansereau

Joanna Powell Colbert
Conversations with Creatives – 
An Interview with Lisa de St. Croix 

I met Lisa de St. Croix online a few years ago through mutual friends in the tarot community. I loved the vibrant colors of the deck she was working on. We met in person when I visited New Mexico in 2011, and I've had the pleasure of being a guest in her beautiful Santa Fe home.
Now the deck is finished and out in the world, and it’s a beauty. I adore the lush colors, the vibrant New Mexico landscape, and the mix of mythic and contemporary imagery.
As an artist and deck creator myself, I love having conversations about the inspiration and creative process behind projects like this one. Listen in while I ask Lisa about the Tarot de St. Croix!

Conversation with Lisa about the Tarot de St. Croix

.JPC: What is the story behind this deck? Where did the initial idea come from?

LdSC: On the winter solstice five years ago I did a shamanic journey. I travelled to a small black and white temple in the Upper World. On the throne lay a tarot card of the High Priestess: Isis. She instructed me to paint a tarot deck. Shortly after the journey I began painting Tarot de St. Croix
JPC: Tell us about your intuitive process for choosing a card to paint, and how the meaning of the card was mirrored in your personal life.
LdSC: I painted this tarot deck as if it where a tarot reading: receiving divine wisdom. Each time I pulled a card to paint I was amazed how perfectly the meaning of the card related to the world I inhabit. I opened my senses to messages. Synchronicity was my guide. I painted intuitively, having faith that I would convey through the visual medium of the tarot, a message that would have meaning and wisdom.
The first card I painted was the Nine of Pentacles. I painted what I hoped to harvest in my life: a home of my own a garden filled with flowers and water. I painted a falcon sitting on my shoulder. I now am in that home, with a view of the Santa Fe mountains, a fountain and sunflowers and a falcon visits on occasion!
JPC: I know there are scenes from Santa Fe in the deck, as well self-portraits and portraits of the people in your life. Can you tell us about a few of those cards?
LdSC: For the Five of Pentacles I painted a scene I see often in Santa Fe that creates much anxiety for me. Outside the Sanctuario de Guadalupe, there are always a group of day laborers waiting in all extremes of weather, hoping to be hired. There is a feeling of desperation, as they try to flag down passing cars. While working on the painting I reflected on the loss I was experiencing at the time; it was my deceased mother’s birthday and I miss her.  As I painted the giant statue of Guadalupe behind the men I realized that the archetype of the Great Mother is always there for us when we need her. She in her thousand manifestations, watches over us.
I appear in several of the cards as my experiences while painting the deck were so filled with wonder and magic I just had to record them. In the Nine of Cups I raise my cup in a toast to my new home, the one I had wished for in the Nine of Pentacles and in gratitude to the Powers that Be that had blessed me with it.
My sons Noah and Simon appear as two young Pages. My lover Tony joins me in the Two of Cups, the Lovers and is the Chariot, helping me move this deck from paintings into card format. Friends and family also take residence: my father the King of Cups, my brother the Four of Cups and my dear friend Duija as the Queen of Cups.
JPC: Tell us a little bit about your background as a painter, and about the medium you use (oil paints). Why oil and not another medium?
LdSC: I studied art at the School of Visual Arts in New York. My paintings have been exhibited in galleries and non-profit spaces in New York, Santa Fe, Boston and across the USA and in several international exhibitions in South Africa, Portugal, France and Mexico.  I live in Santa Fe, New Mexico where I paint and teach a variety of art workshops in my studio.
Oil paint over a venetian red gesso background is the medium I have used for several years. I wanted to make this deck feel more like paintings than illustrations. I love the rich luminosity and vivid colors that oils give.

Lisa was working on this card, the 8 of Pentacles, when I visited her in August 2013.
JPC: What was the publishing process like?
LdSC: I ran an Indiegogo crowd-funding campaign to raise money for printing and was thrilled that I raised $6,677.00.  I offered a deck in return for support.  I am extremely grateful to Devera Publishing who assisted me in self-publishing this deck.
JPC: How do you personally use this deck, in your own spiritual practice?
LdSC: I pull a card everyday as a meditation. When I have a specific question I do a reading for myself. I have also really been enjoying doing readings for others, seeing my deck come alive and be of service to people.
JPC: What do you most want people to know about this deck? 
LdSC: There is a full color booklet of meanings and spreads included in the box. However I think the images which are unique, carry the essence of the archetypes and are easy to understand visually. It is a multi-cultural deck that embraces all of humanity in our many experiences.
JPC: What’s up next for you?
LdSC: While working on this deck I kept a visual journal – I would love to publish it as a kind of workbook. I also have a “Natural Wisdom” oracle deck of animals and plants that created a number of years ago, I would like to add to and publish it.
Thank you Lisa! 
Ordering information can be found at the Tarot de St. Croix website.

Tarot de St. Croix by Lisa de St. Croix 
(Commentary by Arnell Ando)

Tarot de St. Croix © 2013
* Available - March 2014
* 78-Card Deck & Book, Boxed Set
* Major Arcana: Roman Numerals & Traditional Titles
* Strength is Card VIII and Justice, XI
* Traditional Suits: Wands, Cups, Swords & Pentacles
* Court Cards: Page, Knight, Queen & King
* Cardstock: Semi-Gloss, Standard Thickness (300 gsm)
* Card Back Design: Mirror Image - Reversible
* Card Size: 3" x 4.5" (7.6 x 11.4 cm)
* Art Medium: Original Oil Paintings on Boards
* 96-Page, Soft-Cover Booklet, Full-Color
* Comes in Sturdy 2-Piece Box
* Self -Published with Indie Publishing House - Devera - Spring 2014
* ISBN: 978-0-9858321-9-3

The eagerly awaited Tarot de St. Croix has arrived to dust off winter blues, with its sunny disposition and warm invitation to become immersed in splendor. This is a deck which expresses all manner of emotion while sharing experiences of a multi-dimensional and well traveled existence. A beautifully made personal offering which will translate well to all those who are open to its vision. And well done to Devera, the metaphysical publishing house in Portland, Oregon; which prides itself on shepherding each independent artist and project with practical know-how, support and attention to detail.

The semi-gloss cards are a decent size and thickness, comfortable for shuffling. While the sturdy, brightly colored, two-piece box makes a great presentation; displaying nineteen cards, with the brilliant XIX Sun on top (shown above). The imagery has a welcoming vibe, with amber colored borders and cheerful (san serif) titles in a matching hue. The back side of the cards has a mirror image and is therefore reversible. Much of the artwork in the cards feels at once personal yet universal; powerful though unarmored; bold but sensitive and sincere. Lisa's likeness (along with key people in her life) can be found throughout the deck, making it apparent that she has lived through these 78 cards with their associated lessons, trials and tribulations while comprehending their implications. The artwork is consistently lovely and inherently symbolic.

The 96-page, soft covered book is a nice companion to the deck. Both are the same: 3"x 4.5" - 7.6 x 11.4 cm and fit snuggly in the box. This full color booklet is presented with thoughtful consideration; sharing the artist's experiences with the card meanings along with words of insight or practical wisdom to carry into one's own reading or meditation. Those familiar with the Waite-Smith template will feel at home here. In the introduction section Lisa shares three Tarot reading spreads as well as tips on one-card readings and hints on how to work with this deck including journaling. 

Each Major Arcana has two pages dedicated to it; with the (color) card image taking up nearly half of one page. Lisa often shares a personal story surrounding the Trump that is meant to inspire or reveal a life lesson. She then includes a brief, more general meaning for the card.

Next, each set of Minor Arcana in the four suits are spread over a two page layout (Minor card images presented smaller than the Majors). So for example, the four Aces (in the order of: Cups, Pentacles, Swords and Wands) have short symbolic and personal descriptions along with general card meanings for the individual Aces. An overall numerological meaning is given above the four card series thusly:
Aces offer the potential of something new that will succeed. Aces are linked to the Magician; the great manifester.

The Court cards follow next; in the order of the four: Pages, Knights, Queens and Kings. Each Court card has its own page in the book, which includes a good-sized image and personal associations along with a succinct interpretive meaning.

There is enough guidance in the booklet to be helpful to the novice while respecting one's own personal associations and process. It should be noted that the book doesn't tend to share reversed card meanings except as associated with personally challenging experiences. For example, the Three of Swords (which most view as the card of heartache, sorrow and betrayal); Lisa describes in a more positive light. She writes:
The flaming heart represents passion. Three needles pierce the heart but one is mending the broken heart.
Meaning: Forgiveness heals betrayal and heartbreak.

For those who like to put a positive spin on things this approach may be appealing. Though one might suspect that Lisa opted for briefer passages to keep the booklet compact and easy to decipher when doing readings. The pages are unnumbered but its easy to find any card meaning since the images are presented in a systematic order and also act as colorful flags. It should also be noted that Lisa goes into much more detail about each card on her Blog. There she often shared what the card represented to her at the time of creation and sometimes what she was actually going through during its inception. Therefore one can find the artist grappling with darker, deeper elements of many of these cards. In the case of this Three of Swords she candidly writes on her Blog of a sorrowful experience with a significant relationship; which she is able to work through with this quasi 'art therapy' process and eventually transcend the heartbreak. In essence, the book shares more of the positive learning aspects associated with the outcome than the personal struggles that lead up to it. So if one is interested in understanding these cards more deeply; it is recommended to peruse Lisa's Blog posts. For example, a personal favorite image in this deck is Lisa's Three of Cups. On her Blog, Lisa reveals the card's personal associations:

The Three of Cups is a card about friendship and the emotional bonds between people.
On the solstices, equinoxes and cross quarter days; we three meet to play The Tarot Game. We have created a ritual around it. The game involves asking the oracle a question and then the oracle has us tell stories from our lives relating to the tarot archetypes. This gives us the opportunity to talk deeply about our lives and be heard. Answers to our question arrive through this sharing.

But due to space limitations (one assumes), in the booklet this passage is reduced simply to:

Three friends gather to play the tarot game, whilst sharing stories.
Meaning: Cherish friendship and emotional bonds with people.

While it is a positive message connected with this card; the more detailed Blog entry recalls such warm, evocative times with friends...and a more meaningful association.
Having watched this deck evolve and grow online along with a community of supportive Tarotists; while enjoying the creative process and camaraderie surrounding the development of each deeply felt card and experience, it was touching to witness the artist's soulful journey within the nurturing embrace of her facebook friends. She moved through the deck, making each card in a ritualistic, sacred manner; while being open to whatever messages might arise. She candidly shares of her introduction to Tarot and her creative process while making this deck:
When I was a child of eleven in South Africa, I accompanied my mother to get a reading from a tarot reader on the other side of Johannesburg. As I waited on the wide verandah, I thought about destiny, about wisdom and faith. These were new concepts for me and I was taken by them. The predictions of that tarot reader came to pass; within a year my mother divorced, fell in love with a foreigner and left to live with her new husband on the Mediterranean Sea. Many years later after my mother had died, through a mysterious set of circumstances the old Marseille deck she had bought from the tarot reader came back to me. I immersed myself in the study of Tarot. I was living in New Mexico near the Zuni Indian reservation. On the winter solstice I did a shamanic journey where I travelled to a small black and white temple in the Upper World. On the throne lay a tarot card of the High Priestess: Isis. She instructed me to paint a tarot deck. I painted this tarot deck as if it were a tarot reading: receiving divine wisdom. Each time I pulled a card to paint I was amazed how perfectly the meaning of the card related to the world I inhabit. I opened my senses to messages. Synchronicity was my guide. I painted intuitively, having faith that I would convey through the visual medium of the tarot, a message that would have meaning and wisdom.

Another personal favorite is Lisa's XX Judgment card (shown right). In the image she portrayed dear friend and mentor Carrie Paris in the magnificent Cathedral of Siena. As it happens I met both Lisa and Carrie together during a Tarot Art HYPERLINK ""&HYPERLINK "" History Tour of Northern Italy , (which I organize and run along with my husband and our dear friend, Morena Poltronieri - director of the Italian Tarot Museum.) So it is especially touching that Lisa shared a part of the Italy tour experience here; giving a much more impactful and gratifying meaning to a card that tends to be challenging to many Tarotists (including myself). Lisa shared details about this Judgement card on her Blog.

Just having returned from the Tarot Art and History Tour of Northern Italy, I felt inspired to integrate some of the symbolism I had seen into my Judgement card. I was intrigued by the mosaic floor in the Siena Duomo. We were lucky to see it unveiled as only once a year are the floors uncovered. Pagan and Tarot imagery are everywhere. Hermes Trismegistus greets one at the entrance to the magnificent Cathedral. Ten large mosaics of Sibyls line the two sides. The Sibyls are women who prophesize. We found symbolism used in the World, Chariot and Wheel of Fortune tarot cards in other panels.

One of the original meanings to this card was "Judgement Day" so I contemplated what that might mean now to the people who read tarot. Fundamentally I think that what we believe is what we receive. To the innocent child twirling in a beam of sunlight, there is no elaborate morality, just the purity of the moment, connected to all that is. Under the child's feet spins the Wheel of Fortune.

Judgement as an act of discernment is another meaning. As I visited these Catholic Cathedrals I felt waves of judgement roll through me; both awe at the mastery of the artists and artisans and horror at the sacrifices, the cruelty and domination of the church. The man in the background of my painting kneels praying to the Archangels. Does he fear their judgement or is he bowing to their beauty and grace?

Another meaning of Judgement is an awakening, the call of the soul to a new paradigm. In front, standing beside the Sibyl is my dear friend and teacher Carrie Paris who I shared the tour with. I witnessed one of her teachings made real as she entered the "Fourth Level of Understanding: The Sacred Gaze". Like the Sibyls, we tarot tribe have faith in the prophetic messages that come to us through divining.

The Judgement card asks you to look at your beliefs and decide if they work for you, opening yourself to the possibility of another way of believing.

Tarot de St. Croix is a powerfully expressive, yet warmly accessible deck; made by an artist who shares deeply of her inner and outer spiritual realms. This deck is recommended for Tarot readers, both beginners and advanced, and for collectors; especially those who appreciate uplifting, life affirming meditations with the cards. This deck set became available March 2014, and can be obtained directly from Lisa de St. Croix's website or on this page from Devera Publishing.

With Tarot de St. Croix, Lisa imparts to the spiritual traveler her personal experiences while navigating these ancient, sacred paths which we share. This hand painted deck is a colorful, dazzling, multi-faceted gem and her story will touch those who journey with her powerful work. Good medicine for the weary soul and inspiration for those seeking a kindred spirit!”
- Arnell Ando

Lisa de St. Croix was born in Johannesburg, South Africa. She received a Bachelor of Fine Arts from the School of Visual Arts in New York. Lisa has exhibited paintings in New York, Boston, Santa Fe and many other places in the U.S. She has also held international exhibitions in South Africa, France, Portugal and Mexico. She was awarded the New Mexico Arts Purchase Award twice. Her paintings are in many private and public collections. Ms. de St. Croix's artwork hangs in several hospitals, as well as the Corrales Court House and the New Mexico University. Lisa has taught many art workshops throughout the world. She has designed sets, written and produced puppet shows and painted several murals on public buildings. Her paintings and art journals are inspired by her experiences, travels and shamanic journeys. She now lives in Santa Fe, New Mexico where she teaches art workshops. This self-published deck set became available in early spring of 2014. Lisa shares of her own creative process:
The rich oil paintings of Tarot de St. Croix transcend time to portray the tapestry of life and the journey of the soul through it. I was inspired by the world I witness, my visions and synchronicity. My time traveling and living amongst different cultures is represented in vibrant colors and symbology. The images hold the energy of the universal archetypes. 

Tarot de St. Croix - Leslie Cochran

I am blessed to be in possession of Lisa de St. Croix's Tarot de St. Croix , a deck of 78 cards, beautifully reproduced from Lisa's paintings.  The boxed set with booklet and warm toned palette feature her Sun Card - a woman in shadow/silhouette cupping the sun disk amidst a profusion of sunflowers.  This joyful Sun card is a warm and welcoming prelude for us to settle in and enjoy the journey. 

Reading the booklet and expanded description on Lisa's blog reveals her own creative journey as deeply personal and intuitive.  The artist does not shy away from the range of emotions that naturally surface when immersed in this work.  Her gentle yet powerful words describing each card's meaning, echo the journey we all share.  Along with the seeds of hope and positivity planted in each card - the message of each, visually and verbally is immediately relatable.

As I walk through the deck, I am struck by the perfect blend of mystery and clarity.  The color palette is cohesive and the warm golden-hued borders compliment each image.  I can't imagine the task of creating 78 paintings, each a beautiful story on its own - and have them come together after a long process and still fit together so well. 

I selected four cards to write about, a hard choice as they all speak to me.

The Moon: a diving woman reaches into the deep sea to touch the full moon, between the two columns from the High Priestess card, each column crowned with a pink water lily. A crescent moon gleams above. It's a beautiful card that shimmers with layers of color and depth. Lisa writes about a trauma she experienced "
There is something very profound about being so swamped by feeling, I feel surrounded by spirit."
If we allow ourselves to feel our emotions, instead of drowning in them, we can come to understanding and healing.  I love the details on this card, the splash where her dive broke the surface, the air bubbles (which remind me to 'breathe'!) 
And of course the lovely bright pink water lilies - an unexpected delight.

The Hanged Man: Again, we see the many layers that a skilled painter's brush strokes can achieve, in the sky and clouds and tree bark, and in the Hanged Man.  He is made of stars and dark night sky, suspended in glittering contrast to the dreamy blue twilight sky and drifting pastel clouds.

Lisa writes on her blog: " Even though he is back lit by a glowing full moon he is travelling deep into space to a distant star which ignites his heart. At his third eye is a new moon, a symbol of potential" 

This card speaks about getting new perspective and suggests travel to the unconscious and shamanic realms.  For those who are interested in exploring the shamanic journey, Lisa's Hanged Man is a perfect meditative companion.

Eight of Wands: This card buzzes and hums with life, but at the same time calls us to action.  In my own backyard as well as in the theme of this card, hummingbirds and bees perform their joyful dancing flights seeking nectar and pollen.  Lisa captures the vibrant iridescence of the hummingbird and many busy bees amidst penstemon stalks.  She calls us to action however, as the bees are dying worldwide now due to our negative impact on the planet with pesticide use.  I so appreciate this card and the opportunity to shed more light on this issue.

Eight of Swords: The raven stands "trapped" in a circle of eight swords in a vast desert.  The mind can be an effective jailer.  That prison cell is one we walk into ourselves, but it is truly an illusion. As Lisa writes that "Raven is a highly intelligent bird" and "if we change our mindset, we can step out of the cage and fly free"
There is that seed of positivity, a reminder, in this card. In it we can almost see raven going through that thought process as she/he peaks through the swords at the yellow desert sands, far hills and endless clear blue skies.

Lisa de St. Croix's Tarot de St. Croix with its vibrant and soul stirring imagery, would make a beautiful and empowering gift, and an important addition to your Tarot Library.