Reviews



Benebell Wen wrote this fabulous review of my deck. She really understands my motivation and message. Here is an excerpt: "The card imagery feels like channeled visions. You get the sense that while the work is that of the artist, the idea was implanted into her from the great beyond. You feel as if you are catching glimpses into other worlds and multiverses, and given universal depictions for each of the 78 ideas revealed by the tarot."

BeneBell Wen reviews Tarot de St. Croix






Tarot de St. Croix by Eric Lerner

The Tarot de St. Croix is a handsomely produced deck published through Devera Publishing by artist and tarot reader Lisa St. Croix. It is a full 78 card deck that follows Rider-Waite numeration (Strength is 8, Justice 11.) Its impact is achieved through the artist’s decidedly warm color palette, multi-cultural and personal iconography, visual nods to Rider-Waite and use of sacred geometry. Overall it is well thought out and decidedly reflects St. Croix’s original point of view.

The first thing that jumps out at you is her vibrant use of oranges, golds and yellows in many of her compositions. This serves to invite the viewer into the visual worlds depicted. At times I found that the use of these hues in the border design took focus from the actual images (perhaps a neutral colored border would have helped them pop more.) Overall this color scheme makes the cards inviting.
St. Croix uses that to draw the reader into her personal universe, in no small part shaped by her extensive travels and meditations on diverse cultures. This does not confuse the overall philosophical narrative of her exploration, and it is nicely balanced with frequent nods to her biography and family. She explains her journey in the accompanying booklet. For instance, in the Fool, she incorporates the trickster figure of Koshara. She had spent years living on Zuni reservation where she encountered him in traditional dances. “One evening,” she writes, “ as I stood on the rooftop watching the dances below, a Koshare, the sacred clown, climbed up on the ladder and tricked me into buying a plastic turquoise necklace for twenty dollars, the crowd roared with laughter. I felt embarrassed but also delighted to play the fool in their ceremony. I  treasure that necklace because it reminds me to laugh at myself.” Her personal intimacy with the figures from other cultures here doesn't make their incorporation come across as a gimmick or non-sequitur as they do in some other contemporary tarot.

She balances the global display by including family members and nods to the Rider-Waite Tarot in the tarots. Significantly she uses the later references to clarify her own personal vision rather than simply recast a deck with which most readers are well acquainted. In the Suit of Swords there are many takes suggested by Pamela Colman Smith’s art. Among the more obvious of these are the blindfolded female figure in the Two and the thrice-impaled heart in the Three. Yet she doesn't adhere to Waite’s interpretation of the cards and provides visual clues in the artwork itself. For instance in the Three, she crowns the heart with flames. The fire is not destructive, but warming, and contrasts the raining clouds depicted in the earlier rendition. St. Croix stresses: “The flaming heart represents passion. Three needles pierce the heart but one is mending a broken heart. Meaning: Forgiveness heals betrayal and heartbreak.”  Most decks, including Rider-Waite, offer much more dire interpretations. St. Croix further develops her own take on life through the later numbers in the Suit of Swords that play off and contrast Rider-Waite and move inextricably in an original direction.St. Croix depicts a female figure both face up and down, balanced by the swords like an exquisitely balanced shaman walking uninjured upon nails against a night sky. She writes: “This is the end of  worn out ways of thinking. We can rise above the old, unhealthy victim mentality, supported by the lessons learned.” She works from pre-established iconography and pushes forward from it.

In 10, we are familiar with the image of an impaled figure and the desolation and pain it indicates. Instead, St. Croix does not include reversed definitions like Waite or elemental dignities in her definitions or take on reading. Even when the cards themselves indicate challenges, they also indicate solutions. The innovation here is that typically as readers we look to other cards in a spread to indicate how to resolve “problem” cards. St. Croix indicates solutions in the context of the cards themselves. It makes her deck useful for one-card readings. Also in her nine-card spread, Nine Temples of the Soul, the placement of the elements is predetermined by the spread itself with positions for majors, each suit and court figures. Hence the meanings of the individual cards are not subject to the permutations of their sequence so much as they relate to the specific areas of unique life endeavor.


Another noteworthy feature of the deck is the artistic use of sacred geometry, most significantly St. Croix reliance on Golden Mean ratios in composition. In short, a golden ratio is achieved by two spaces when their ration to one another is the same the larger body is to the sum. It is felt that this type of proportion creates a golden mean of visual harmony. Numerically it is it roughly 1.62, phi. Artists create both pleasing visual compositions and indicate idealized states through its spatial geometry. Since many of us have developed subconscious familiarity with it through frequent exposure, an artist can use it to help a viewer interpret her work. St. Croix makes direct reference to this in the Page her Swords by depicting her son Simon as a blackboard hero rendering a golden mean ratio.

Not only is this an affection nod to both her family and technique, it provides us with a map for how we may wish to examine her imagery. I found her use of golden mean proportion most pleasing when she uses it to create dynamic compositions such as in the family drama of the Five of Swords or exuberant Nine of cups. Our gaze moves through them in a kinetic way making the situations come alive. One of the pratfalls of using sacred geometry consistently in compositions is that they can become too static looking. Very often tarot decks that rely on sacred geometry become a series of strategically placed glyphs that one may need a guide to decipher. St. Croix’s images tend toward emotional immediacy.

Overall, St. Croix has done a fine job of producing a deck that is at the same time personal and integrated with the world as a whole, acknowledging also the artistic and divinatory traditions in which she works. Tarot de St. Croix can also work well as someone’s first reading deck, given its visual clarity and warmth. It succeeds on many levels and offers and optimistic and inspiring philosophy toward life.

Eric Lerner www.radiantspleen.com
 



Review of Tarot de St. Croix by Wray Dansereau

 When my eyes first fell on Tarot de St. Croix I felt myself being pulled into a sensuous, lush, warm and relationship orientated world! I just couldn't get enough of the warmth and vibrancy I could feel and see. Consequently I had to buy this Tarot Deck. For me it's the deck I use for relationship Tarot questions. The colours...so beautiful to me. Charmaine, free biddy tarot reader, Australia

Joanna Powell Colbert
Conversations with Creatives – An Interview with Lisa de St. Croix 
I met Lisa de St. Croix online a few years ago through mutual friends in the tarot community. I loved the vibrant colors of the deck she was working on. We met in person when I visited New Mexico in 2011, and I've had the pleasure of being a guest in her beautiful Santa Fe home.
Now the deck is finished and out in the world, and it’s a beauty. I adore the lush colors, the vibrant New Mexico landscape, and the mix of mythic and contemporary imagery.
As an artist and deck creator myself, I love having conversations about the inspiration and creative process behind projects like this one. Listen in while I ask Lisa about the Tarot de St. Croix!

Conversation with Lisa about the Tarot de St. Croix

Lisa & Joanna in Lisa's Santa Fe studio
Lisa & Joanna in Lisa’s Santa Fe studio
JPC: What is the story behind this deck? Where did the initial idea come from?
LdSC: On the winter solstice five years ago I did a shamanic journey. I travelled to a small black and white temple in the Upper World. On the throne lay a tarot card of the High Priestess: Isis. She instructed me to paint a tarot deck. Shortly after the journey I began painting Tarot de St. Croix.
JPC: Tell us about your intuitive process for choosing a card to paint, and how the meaning of the card was mirrored in your personal life.
Nine of Pentacles, Tarot de St. CroixLdSC: I painted this tarot deck as if it where a tarot reading: receiving divine wisdom. Each time I pulled a card to paint I was amazed how perfectly the meaning of the card related to the world I inhabit. I opened my senses to messages. Synchronicity was my guide. I painted intuitively, having faith that I would convey through the visual medium of the tarot, a message that would have meaning and wisdom.
The first card I painted was the Nine of Pentacles. I painted what I hoped to harvest in my life: a home of my own a garden filled with flowers and water. I painted a falcon sitting on my shoulder. I now am in that home, with a view of the Santa Fe mountains, a fountain and sunflowers and a falcon visits on occasion!
JPC: I know there are scenes from Santa Fe in the deck, as well self-portraits and portraits of the people in your life. Can you tell us about a few of those cards?
Five of Pentacles, Tarot de St. CroixLdSC: For the Five of Pentacles I painted a scene I see often in Santa Fe that creates much anxiety for me. Outside the Sanctuario de Guadalupe, there are always a group of day laborers waiting in all extremes of weather, hoping to be hired. There is a feeling of desperation, as they try to flag down passing cars. While working on the painting I reflected on the loss I was experiencing at the time; it was my deceased mother’s birthday and I miss her.  As I painted the giant statue of Guadalupe behind the men I realized that the archetype of the Great Mother is always there for us when we need her. She in her thousand manifestations, watches over us.
I appear in several of the cards as my experiences while painting the deck were so filled with wonder and magic I just had to record them. In the Nine of Cups I raise my cup in a toast to my new home, the one I had wished for in the Nine of Pentacles and in gratitude to the Powers that Be that had blessed me with it.
Tarot de St. Croix
My sons Noah and Simon appear as two young Pages. My lover Tony joins me in the Two of Cups, the Lovers and is the Chariot, helping me move this deck from paintings into card format. Friends and family also take residence: my father the King of Cups, my brother the Four of Cups and my dear friend Duija as the Queen of Cups.
Tarot de St. Croix
JPC: Tell us a little bit about your background as a painter, and about the medium you use (oil paints). Why oil and not another medium?
LdSC: I studied art at the School of Visual Arts in New York. My paintings have been exhibited in galleries and non-profit spaces in New York, Santa Fe, Boston and across the USA and in several international exhibitions in South Africa, Portugal, France and Mexico.  I live in Santa Fe, New Mexico where I paint and teach a variety of art workshops in my studio.
Oil paint over a venetian red gesso background is the medium I have used for several years. I wanted to make this deck feel more like paintings than illustrations. I love the rich luminosity and vivid colors that oils give.
8 of Pentacles in process
Lisa was working on this card, the 8 of Pentacles, when I visited her in August 2013.
JPC: What was the publishing process like?
LdSC: I ran an Indiegogo crowd-funding campaign to raise money for printing and was thrilled that I raised $6,677.00.  I offered a deck in return for support.  I am extremely grateful to Devera Publishing who assisted me in self-publishing this deck.
JPC: How do you personally use this deck, in your own spiritual practice?
LdSC: I pull a card everyday as a meditation. When I have a specific question I do a reading for myself. I have also really been enjoying doing readings for others, seeing my deck come alive and be of service to people.
Fool and Hierophant
JPC: What do you most want people to know about this deck? 
LdSC: There is a full color booklet of meanings and spreads included in the box. However I think the images which are unique, carry the essence of the archetypes and are easy to understand visually. It is a multi-cultural deck that embraces all of humanity in our many experiences.
Lisa de St. Croix
JPC: What’s up next for you?
LdSC: While working on this deck I kept a visual journal – I would love to publish it as a kind of workbook. I also have a “Natural Wisdom” oracle deck of animals and plants that created a number of years ago, I would like to add to and publish it.
Thank you Lisa! 
Ordering information can be found at the Tarot de St. Croix website.
http://www.gaiansoul.com/?s=Lisa+de+St.+Croix#sthash.4ZBxQ9Nk.dpbs



I bought Tarot de St Croix a few weeks ago and having been using it on a daily basis for about two weeks now. I absolutely LOVE your deck the artwork is gorgeous and really speaks to my soul as well as to my eyes. I have been searching for a deck for a while now that speaks to my soul and I just wanted you to know how much I love and appreciate your beautiful deck! L. W. Cape Cod, Massachusetts

Tarot de St. Croix 
Created by Lisa de St. Croix
(Commentary by Arnell Ando)


Tarot de St. Croix © 2013
* Available - March 2014
* 78-Card Deck & Book, Boxed Set
* Major Arcana: Roman Numerals & Traditional Titles
* Strength is Card VIII and Justice, XI
* Traditional Suits: Wands, Cups, Swords & Pentacles
* Court Cards: Page, Knight, Queen & King
* Cardstock: Semi-Gloss, Standard Thickness (300 gsm)
* Card Back Design: Mirror Image - Reversible
* Card Size: 3" x 4.5" (7.6 x 11.4 cm)
* Art Medium: Original Oil Paintings on Boards
* 96-Page, Soft-Cover Booklet, Full-Color
* Comes in Sturdy 2-Piece Box
* Self -Published with Indie Publishing House - Devera - Spring 2014
* ISBN: 978-0-9858321-9-3

The eagerly awaited Tarot de St. Croix has arrived to dust off winter blues, with its sunny disposition and warm invitation to become immersed in splendor. This is a deck which expresses all manner of emotion while sharing experiences of a multi-dimensional and well traveled existence. A beautifully made personal offering which will translate well to all those who are open to its vision. And well done to Devera, the metaphysical publishing house in Portland, Oregon; which prides itself on shepherding each independent artist and project with practical know-how, support and attention to detail.

The semi-gloss cards are a decent size and thickness, comfortable for shuffling. While the sturdy, brightly colored, two-piece box makes a great presentation; displaying nineteen cards, with the brilliant XIX Sun on top (shown above). The imagery has a welcoming vibe, with amber colored borders and cheerful (san serif) titles in a matching hue. The back side of the cards has a mirror image and is therefore reversible. Much of the artwork in the cards feels at once personal yet universal; powerful though unarmored; bold but sensitive and sincere. Lisa's likeness (along with key people in her life) can be found throughout the deck, making it apparent that she has lived through these 78 cards with their associated lessons, trials and tribulations while comprehending their implications. The artwork is consistently lovely and inherently symbolic.

The 96-page, soft covered book is a nice companion to the deck. Both are the same: 3"x 4.5" - 7.6 x 11.4 cm and fit snuggly in the box. This full color booklet is presented with thoughtful consideration; sharing the artist's experiences with the card meanings along with words of insight or practical wisdom to carry into one's own reading or meditation. Those familiar with the Waite-Smith template will feel at home here. In the introduction section Lisa shares three Tarot reading spreads as well as tips on one-card readings and hints on how to work with this deck including journaling. 

Each Major Arcana has two pages dedicated to it; with the (color) card image taking up nearly half of one page. Lisa often shares a personal story surrounding the Trump that is meant to inspire or reveal a life lesson. She then includes a brief, more general meaning for the card.

Next, each set of Minor Arcana in the four suits are spread over a two page layout (Minor card images presented smaller than the Majors). So for example, the four Aces (in the order of: Cups, Pentacles, Swords and Wands) have short symbolic and personal descriptions along with general card meanings for the individual Aces. An overall numerological meaning is given above the four card series thusly:
Aces offer the potential of something new that will succeed. Aces are linked to the Magician; the great manifester.

The Court cards follow next; in the order of the four: Pages, Knights, Queens and Kings. Each Court card has its own page in the book, which includes a good-sized image and personal associations along with a succinct interpretive meaning.

There is enough guidance in the booklet to be helpful to the novice while respecting one's own personal associations and process. It should be noted that the book doesn't tend to share reversed card meanings except as associated with personally challenging experiences. For example, the Three of Swords (which most view as the card of heartache, sorrow and betrayal); Lisa describes in a more positive light. She writes:
The flaming heart represents passion. Three needles pierce the heart but one is mending the broken heart.
Meaning: Forgiveness heals betrayal and heartbreak.



For those who like to put a positive spin on things this approach may be appealing. Though one might suspect that Lisa opted for briefer passages to keep the booklet compact and easy to decipher when doing readings. The pages are unnumbered but its easy to find any card meaning since the images are presented in a systematic order and also act as colorful flags. It should also be noted that Lisa goes into much more detail about each card on her Blog. There she often shared what the card represented to her at the time of creation and sometimes what she was actually going through during its inception. Therefore one can find the artist grappling with darker, deeper elements of many of these cards. In the case of this Three of Swords she candidly writes on her Blog of a sorrowful experience with a significant relationship; which she is able to work through with this quasi 'art therapy' process and eventually transcend the heartbreak. In essence, the book shares more of the positive learning aspects associated with the outcome than the personal struggles that lead up to it. So if one is interested in understanding these cards more deeply; it is recommended to peruse Lisa's Blog posts. For example, a personal favorite image in this deck is Lisa's Three of Cups. On her Blog, Lisa reveals the card's personal associations:


The Three of Cups is a card about friendship and the emotional bonds between people.
On the solstices, equinoxes and cross quarter days; we three meet to play The Tarot Game. We have created a ritual around it. The game involves asking the oracle a question and then the oracle has us tell stories from our lives relating to the tarot archetypes. This gives us the opportunity to talk deeply about our lives and be heard. Answers to our question arrive through this sharing.

But due to space limitations (one assumes), in the booklet this passage is reduced simply to:

Three friends gather to play the tarot game, whilst sharing stories.
Meaning: Cherish friendship and emotional bonds with people.

While it is a positive message connected with this card; the more detailed Blog entry recalls such warm, evocative times with friends...and a more meaningful association.
Having watched this deck evolve and grow online along with a community of supportive Tarotists; while enjoying the creative process and camaraderie surrounding the development of each deeply felt card and experience, it was touching to witness the artist's soulful journey within the nurturing embrace of her facebook friends. She moved through the deck, making each card in a ritualistic, sacred manner; while being open to whatever messages might arise. She candidly shares of her introduction to Tarot and her creative process while making this deck:
When I was a child of eleven in South Africa, I accompanied my mother to get a reading from a tarot reader on the other side of Johannesburg. As I waited on the wide verandah, I thought about destiny, about wisdom and faith. These were new concepts for me and I was taken by them. The predictions of that tarot reader came to pass; within a year my mother divorced, fell in love with a foreigner and left to live with her new husband on the Mediterranean Sea. Many years later after my mother had died, through a mysterious set of circumstances the old Marseille deck she had bought from the tarot reader came back to me. I immersed myself in the study of Tarot. I was living in New Mexico near the Zuni Indian reservation. On the winter solstice I did a shamanic journey where I travelled to a small black and white temple in the Upper World. On the throne lay a tarot card of the High Priestess: Isis. She instructed me to paint a tarot deck. I painted this tarot deck as if it were a tarot reading: receiving divine wisdom. Each time I pulled a card to paint I was amazed how perfectly the meaning of the card related to the world I inhabit. I opened my senses to messages. Synchronicity was my guide. I painted intuitively, having faith that I would convey through the visual medium of the tarot, a message that would have meaning and wisdom.

Another personal favorite is Lisa's XX Judgment card (shown right). In the image she portrayed dear friend and mentor Carrie Paris in the magnificent Cathedral of Siena. As it happens I met both Lisa and Carrie together during a Tarot Art HYPERLINK "http://www.arnellart.com/tarot-italy-tour2015.htm"&HYPERLINK "http://www.arnellart.com/tarot-italy-tour2015.htm" History Tour of Northern Italy , (which I organize and run along with my husband and our dear friend, Morena Poltronieri - director of the Italian Tarot Museum.) So it is especially touching that Lisa shared a part of the Italy tour experience here; giving a much more impactful and gratifying meaning to a card that tends to be challenging to many Tarotists (including myself). Lisa shared details about this Judgement card on her Blog.

Judgement:
Just having returned from the Tarot Art and History Tour of Northern Italy, I felt inspired to integrate some of the symbolism I had seen into my Judgement card. I was intrigued by the mosaic floor in the Siena Duomo. We were lucky to see it unveiled as only once a year are the floors uncovered. Pagan and Tarot imagery are everywhere. Hermes Trismegistus greets one at the entrance to the magnificent Cathedral. Ten large mosaics of Sibyls line the two sides. The Sibyls are women who prophesize. We found symbolism used in the World, Chariot and Wheel of Fortune tarot cards in other panels.

One of the original meanings to this card was "Judgement Day" so I contemplated what that might mean now to the people who read tarot. Fundamentally I think that what we believe is what we receive. To the innocent child twirling in a beam of sunlight, there is no elaborate morality, just the purity of the moment, connected to all that is. Under the child's feet spins the Wheel of Fortune.

Judgement as an act of discernment is another meaning. As I visited these Catholic Cathedrals I felt waves of judgement roll through me; both awe at the mastery of the artists and artisans and horror at the sacrifices, the cruelty and domination of the church. The man in the background of my painting kneels praying to the Archangels. Does he fear their judgement or is he bowing to their beauty and grace?

Another meaning of Judgement is an awakening, the call of the soul to a new paradigm. In front, standing beside the Sibyl is my dear friend and teacher Carrie Paris who I shared the tour with. I witnessed one of her teachings made real as she entered the "Fourth Level of Understanding: The Sacred Gaze". Like the Sibyls, we tarot tribe have faith in the prophetic messages that come to us through divining.

The Judgement card asks you to look at your beliefs and decide if they work for you, opening yourself to the possibility of another way of believing.


Tarot de St. Croix is a powerfully expressive, yet warmly accessible deck; made by an artist who shares deeply of her inner and outer spiritual realms. This deck is recommended for Tarot readers, both beginners and advanced, and for collectors; especially those who appreciate uplifting, life affirming meditations with the cards. This deck set became available March 2014, and can be obtained directly from Lisa de St. Croix's website or on this page from Devera Publishing.

With Tarot de St. Croix, Lisa imparts to the spiritual traveler her personal experiences while navigating these ancient, sacred paths which we share. This hand painted deck is a colorful, dazzling, multi-faceted gem and her story will touch those who journey with her powerful work. Good medicine for the weary soul and inspiration for those seeking a kindred spirit!”
- Arnell Ando





Lisa de St. Croix was born in Johannesburg, South Africa. She received a Bachelor of Fine Arts from the School of Visual Arts in New York. Lisa has exhibited paintings in New York, Boston, Santa Fe and many other places in the U.S. She has also held international exhibitions in South Africa, France, Portugal and Mexico. She was awarded the New Mexico Arts Purchase Award twice. Her paintings are in many private and public collections. Ms. de St. Croix's artwork hangs in several hospitals, as well as the Corrales Court House and the New Mexico University. Lisa has taught many art workshops throughout the world. She has designed sets, written and produced puppet shows and painted several murals on public buildings. Her paintings and art journals are inspired by her experiences, travels and shamanic journeys. She now lives in Santa Fe, New Mexico where she teaches art workshops. This self-published deck set became available in early spring of 2014. Lisa shares of her own creative process:
The rich oil paintings of Tarot de St. Croix transcend time to portray the tapestry of life and the journey of the soul through it. I was inspired by the world I witness, my visions and synchronicity. My time traveling and living amongst different cultures is represented in vibrant colors and symbology. The images hold the energy of the universal archetypes. 



Tarot de St. Croix - Leslie Cochran


I am blessed to be in possession of Lisa de St. Croix's Tarot de St. Croix , a deck of 78 cards, beautifully reproduced from Lisa's paintings.  The boxed set with booklet and warm toned palette feature her Sun Card - a woman in shadow/silhouette cupping the sun disk amidst a profusion of sunflowers.  This joyful Sun card is a warm and welcoming prelude for us to settle in and enjoy the journey. 


Reading the booklet and expanded description on Lisa's blog http://lisadestcroix.blogspot.com/ reveals her own creative journey as deeply personal and intuitive.  The artist does not shy away from the range of emotions that naturally surface when immersed in this work.  Her gentle yet powerful words describing each card's meaning, echo the journey we all share.  Along with the seeds of hope and positivity planted in each card - the message of each, visually and verbally is immediately relatable.

As I walk through the deck, I am struck by the perfect blend of mystery and clarity.  The color palette is cohesive and the warm golden-hued borders compliment each image.  I can't imagine the task of creating 78 paintings, each a beautiful story on its own - and have them come together after a long process and still fit together so well. 

I selected four cards to write about, a hard choice as they all speak to me.


The Moon: a diving woman reaches into the deep sea to touch the full moon, between the two columns from the High Priestess card, each column crowned with a pink water lily. A crescent moon gleams above. It's a beautiful card that shimmers with layers of color and depth. Lisa writes about a trauma she experienced "
There is something very profound about being so swamped by feeling, I feel surrounded by spirit."
If we allow ourselves to feel our emotions, instead of drowning in them, we can come to understanding and healing.  I love the details on this card, the splash where her dive broke the surface, the air bubbles (which remind me to 'breathe'!) 
And of course the lovely bright pink water lilies - an unexpected delight.

The Hanged Man: Again, we see the many layers that a skilled painter's brush strokes can achieve, in the sky and clouds and tree bark, and in the Hanged Man.  He is made of stars and dark night sky, suspended in glittering contrast to the dreamy blue twilight sky and drifting pastel clouds.

Lisa writes on her blog: " Even though he is back lit by a glowing full moon he is travelling deep into space to a distant star which ignites his heart. At his third eye is a new moon, a symbol of potential" 

This card speaks about getting new perspective and suggests travel to the unconscious and shamanic realms.  For those who are interested in exploring the shamanic journey, Lisa's Hanged Man is a perfect meditative companion.

Eight of Wands: This card buzzes and hums with life, but at the same time calls us to action.  In my own backyard as well as in the theme of this card, hummingbirds and bees perform their joyful dancing flights seeking nectar and pollen.  Lisa captures the vibrant iridescence of the hummingbird and many busy bees amidst penstemon stalks.  She calls us to action however, as the bees are dying worldwide now due to our negative impact on the planet with pesticide use.  I so appreciate this card and the opportunity to shed more light on this issue.

Eight of Swords: The raven stands "trapped" in a circle of eight swords in a vast desert.  The mind can be an effective jailer.  That prison cell is one we walk into ourselves, but it is truly an illusion. As Lisa writes that "Raven is a highly intelligent bird" and "if we change our mindset, we can step out of the cage and fly free"
There is that seed of positivity, a reminder, in this card. In it we can almost see raven going through that thought process as she/he peaks through the swords at the yellow desert sands, far hills and endless clear blue skies.

Lisa de St. Croix's Tarot de St. Croix with its vibrant and soul stirring imagery, would make a beautiful and empowering gift, and an important addition to your Tarot Library.